Behjat Omer Abdulla - Visual artist
  • Home
  • DRAWING
    • From a Distance, Halmstad 2025.
    • What if Life is Black and white 2022
    • One More story 2019
    • Resignation Syndrome 2019
    • It's Your Turn Doctor, 2018
    • FROM A DISTANCE 2016
    • AN ARTIST ATTEMPTS TO DRAW LIKE AN ARCHAEOLOGIST
    • HUMAN CONDITIONS 2015
    • CAN YOU DIG IT? 2015
    • LOOK UP
    • EVERYDAY DRAWING IN 2013
    • IN LIMBO 2010
  • Bread and Honey
  • River of Light
    • 2016 - Valand / SRK collaboration
    • 2017 - Sea of Stories
    • 2018 - Göteborgs Operan / SRK
    • 2019 - Open to the World
    • 2020 - “Equal under the same sky”
  • Contact
  • CV
  • Home
  • DRAWING
    • From a Distance, Halmstad 2025.
    • What if Life is Black and white 2022
    • One More story 2019
    • Resignation Syndrome 2019
    • It's Your Turn Doctor, 2018
    • FROM A DISTANCE 2016
    • AN ARTIST ATTEMPTS TO DRAW LIKE AN ARCHAEOLOGIST
    • HUMAN CONDITIONS 2015
    • CAN YOU DIG IT? 2015
    • LOOK UP
    • EVERYDAY DRAWING IN 2013
    • IN LIMBO 2010
  • Bread and Honey
  • River of Light
    • 2016 - Valand / SRK collaboration
    • 2017 - Sea of Stories
    • 2018 - Göteborgs Operan / SRK
    • 2019 - Open to the World
    • 2020 - “Equal under the same sky”
  • Contact
  • CV
Behjat Omer Abdulla
Visual artist, educator and artistic project leader
Born 1976, Sulaimaniyah, Kurdistan/Iraq. Based in Borås and Gothenburg, Sweden.
+46 720 215 131 | [email protected] | www.behjatomer.com

Behjat Omer Abdulla (b. 1976, Kurdistan, Iraq) is a visual artist who lives and works between Borås and Gothenburg, Sweden. He studied at Staffordshire University in the UK and received his MFA from Valand Academy, University of Gothenburg, where he now teaches as an adjunct lecturer at HDK-Valand. Abdulla's practice centres on drawing, which he extends through photography, video and installation. Working mainly in graphite and charcoal, he builds black-and-white worlds from personal and collective memory. He often starts from photographs and retold stories and turns them into large, detailed drawings. The slow, careful process of drawing becomes a way to hold onto what is fragile, fading or hard to put into words. His work deals with war, identity, displacement and belonging. It often focuses on individual lives and on experiences that are hard to explain or share. Rather than giving answers, the work invites viewers to look closely, to shift how they see the subject, and to think about their own place in relation to other people's stories. Alongside his studio work, Abdulla creates participatory and public projects that bring people together through making. These include the lantern procession River of Light in Gothenburg and the public artwork Should We Help Each Other? What If We Do?, a meeting place for people and pollinators. He has exhibited internationally, including at Tate Modern and Southbank Centre in London and in Drone Vision at the Hasselblad Center in Gothenburg.

Perhaps we all live inside our own personal and collective memories. Without realising it, we carry our experiences with us, speak through them and rely on them. When we turn experiences and memories into visual form, we try to share them, to recognise one another and to find a way out of struggle. Art can both attract and repel. It is also a powerful and influential tool with which to transform our troubled minds and bodies into desirable objects related to the issues of humanity. 
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SELECTED PUBLIC ART, COMMISSIONS AND COLLABORATIVE PROJECTS
2028 – River of Light, forthcoming edition, Gothenburg.
2026 – Should We Help Each Other? What If We Do? public artwork, developed collectively with young cultural summer workers and art pedagogue Mija Renström; realised with Stadskupan in the entrance biotope at Slakthuset, Gamlestaden, Gothenburg. Göteborgs Konsthall / KAKA – Konstpedagogiska akademin.
2025 – Artist and workshop leader, Bröd och honung / Bread and Honey, three-week art-pedagogical residency at Slakthuset, Göteborgs Konsthall with KAKA – Konstpedagogiska akademin, in collaboration with Mija Renström. Collective art project with young cultural summer workers: Jana Saric, Jehay Wahwah, Mahir Abdirahin Jimale, Andreas Franzén, Fatima Said, Jahxena Hills and Mars Palmqvist.
2024 — Unclaimed Experience, group screening program, curated by Sara Jordenö. Springs Projects, 20 Jay Street, Brooklyn, New York, USA (7 September). With Louise Bourque, Africanus Okokon, Kathryn Ramey, Evelyn Cao, Bryan Parcival, Runo Lagomarsino, Carlos Motta, Tomonari Nikishawa and others.
2016–2020 – River of Light, annual lantern-making workshops and public procession marking the UN World Day of Social Justice (20 February), Gothenburg. Editions: 2016 Valand / SRK collaboration; 2017 Sea of Stories; 2018 Göteborgsoperan / SRK; 2019 Open to the World; 2020 Equal Under the Same Sky
2019–2026 – Resignation Syndrome, mural in collaboration with Kulturbyrået Mesen, Dronningens gate 27, Oslo, Norway.
2018 – It’s Your Turn Doctor, video and drawing installation commissioned for Drone Vision: Warfare, Surveillance, Protest, Hasselblad Center, Gothenburg. Developed through meetings, workshops and listening sessions in dialogue with Support Group Network Restad Gård.
2017 – Art educator, Göteborg International Biennial for Contemporary Art (GIBCA): Wheredoiendandyoubegin – On Secularity, Gothenburg
2016 – Swedish representative, Art Transforming Urban Spaces, Borås
2015 – Selected artist, Journey Festival, outdoor wall installations, Leicester, UK
2013 – Selected artist, London Road Festival, Stoke-on-Trent, UK
2012 – Lead artist, My London Road, London Road Festival, Stoke-on-Trent, UK
2012 – Coordinator and curator of visual art elements, Fringe Festival, Stoke-on-Trent, UK
2012 – Artist and project manager, Take This Waltz, UK
2011 – Kibblesworth Insider art project, Newcastle upon Tyne, UK
2011 – 100 Stories, performance, Stoke-on-Trent, UK
2010 – Over the Bridge Night, film projection, Stoke-on-Trent, UK
2010 – Conjunction: Escape, AirSpace Gallery, Stoke-on-Trent, UK

COLLABORATION WITH KJELL CAMINHA

2023–2026 – Co-teaching, second year of the BFA in Fine Art, HDK-Valand, University of Gothenburg
2026 – Co-organiser and facilitator, The Artist as Outsider / Local / Parachute…, HDK-Valand, Gothenburg; with Gloria López Cleries, Esmeralda Valencia Lindström, Kjell Caminha and Nilo Zamiri
2026 – Co-editor of Meandering Source, publication from HDK-Valand BFA year 2 in partnership with Gislaveds konsthall.
2026 – Co-editor of Såg aldrig marken / Never Saw the Ground, publication from HDK-Valand BFA year 2 in partnership with Vänersborgs konsthall.

SELECTED SOLO EXHIBITIONS

2025 – På avstånd / From a Distance – Into a Full Moon, Halmstads konsthall (22 Feb–18 May).
2022 – What If Life Is Black and White?, Borås Konstmuseum.
2019 – One More Story, Vänersborgs konsthall.

SELECTED GROUP EXHIBITIONS

2023 – Collaboration exhibition, HULU Split – Croatian Association of Visual Artists, Split, Croatia
2019 – Sink Without Trace, P21 Gallery, London, UK
2018 – En Mal d’Archive, Station, Beirut, Lebanon
2017 – Who Are We?, Tate Modern, London, UK
2016 – Out of Chaos, Laing Art Gallery, Newcastle, UK
2016 – Summer Dig and ENACT, Göteborgs Konsthall
2016 – Stipendiatutställningen, Royal Swedish Academy of Fine Arts, Stockholm
2016 – 100 for 100 and Unexpected: Continuing Narratives of Identity and Migration (with Counterpoints Arts), Ben Uri Museum of Art, London, UK
2016 – A Brighter Darkness, A-venue, Gothenburg
2015 – Can You Dig It?, Vasagatan 33, Gothenburg
2015 – Human Condition, Tenthaus, Oslo, Norway
2015 – Adopting Britain, Southbank Centre, London, UK
2013 – Höstsalongen, Kulturhuset Borås
2012 – AirSpace Window Exhibition, Stoke-on-Trent, UK
2011 – Counterpoint, Platforma Festival, Rochelle School Gallery, London; Stick-Up, British Ceramics Biennial, Stoke-on-Trent; Factory Night, National Garden Festival, Stoke-on-Trent; Avenue of Portraits, Hayward Gallery, London; Anti Curate and BE Festival, Midland Art Centre, Birmingham; KMQ, slideshow, AirSpace Gallery, Stoke-on-Trent; Kiss Me Quick, Harbour Arm Gallery, Margate; Here Is My World, The Crocus Gallery, Nottingham; DAT Fest, 100 Stories, Stoke-on-Trent, UK
2010 – Southgate Place, Bath; Black Country Creative Advantage, The Public, West Bromwich; Wirksworth Festival, Newbridge Gallery, Wirksworth; Amaze, Staffordshire University, Stoke-on-Trent, UK
2009 – HEP, video installation, José Malhoa Museum, Portugal; IM BANANAPARK, Berlin; Guildford Lane Gallery, Melbourne; World Domination 6, Schloss Blumenthal, Germany; Shifting Origin, ArtWaves, Burslem; Oslo Open 2009, art film, Oslo; Home, Burslem School of Art, Stoke-on-Trent
2008 – Bethesda Splendours, video installation, Bethesda Chapel, Stoke-on-Trent, UK
2003–2007 – Dishinit, 404 Bowls with 101 People and Artists Against Racism & Fascism (2007); Straight from the Heart, The Potteries Museum & Art Gallery (2006); Holocaust Exhibition, New Vic Theatre, and Piconnectic, Semi Gallery (2005); Beyond Experience, Beyond Appearance, New Vic Theatre, and Behind the Veils, Elective Gallery (2004); Travelling Light, Art Exchange, The Surface Gallery, Nottingham (2003)
1992–1997 – Sulaimaniyah Institute of Fine Arts Gallery (1997); Diwar Band, Media Gallery, and University of Sulaimaniyah (1996); Media Gallery (1995); Museum & Art Gallery of Sulaimaniyah (1992), Kurdistan/Iraq
 
CURATING
2011 – Curator, Kiss Me Quick, slideshow, AirSpace Gallery, Stoke-on-Trent, UK

EDUCATION

2020 – PIL101 Teaching and Learning in Higher Education 1, University of Gothenburg  
2019 – Critical Pedagogy and Project Leading in the Academy, Valand Academy, University of Gothenburg
2016 – MFA in Fine Art, Valand Academy, University of Gothenburg
2010 – BA (Hons) Fine Art, First Class Honours, Staffordshire University, UK
2007 – ABC Level 1 Art, Design and Creative Studies – Digital Imaging, Stoke-on-Trent College, UK
1992–1997 – Diploma in Painting, Sulaimaniyah Institute of Fine Arts, Kurdistan/Iraq

CURRENT POSITIONS AND TEACHING

2017–present | Adjunct Lecturer in Fine Art and Craft, HDK-Valand, University of Gothenburg  
Teaching across BFA and MFA programmes. Since 2022, co-teaching the second year of the BFA in Fine Art with Kjell Caminha, including course development, studio tutorials, group critiques, exhibition and publication processes in partnership with regional art institutions. Other courses include: Drawing and storytelling and Drawing, Comic Art and Graphic Storytelling.
2018–present | Founder and Artistic Director, River of Light (non-profit association), Gothenburg and Borås; artistic project initiated in 2015.

GRANTS AND AWARDS

2024 – Two-year working grant, Konstnärsnämnden
2022 – Two-year working grant, Konstnärsnämnden
2019 – Two-year working grant, Konstnärsnämnden
2018 – Commission and project grant, Drone Vision, Hasselblad Foundation
2018 – International project grant, Konstnärsnämnden
2016 – One-year working grant, Konstnärsnämnden
2016 – Eric Ericson Scholarship; Valand Academy Award; Swedish Intercultural Art Grant
2015 – Grant, Royal Swedish Academy of Fine Arts
2014 – Grant, Arts Council Norway
2010 – Prize for Outstanding Creative Achievement in Fine Art, Staffordshire University
2009 – Photography Show Award, Home, Burslem School of Art

PUBLIC COLLECTIONS

2025 – Halmstads kommun, Kulturförvaltningen
2022 – Borås Konstmuseum
2022 – Västerås Konstmuseum
2021 – Statens konstråd (Public Art Agency Sweden), Corona Collection – Unidentified Objects I–III
2018 – Hasselblad Foundation, Gothenburg
Also represented in private collections in Australia, Iraq, Norway, Poland, Sweden, the United Kingdom and the United States.

PUBLICATIONS

2026 – Meandering Source. Co-editor, with Kjell Caminha and Nils Svensk; editorial coordination and production. Publication from HDK-Valand's BFA programme in Fine Art, in collaboration with Gislaveds konsthall.
2026 – Såg aldrig marken / Never Saw the Ground. Co-editor, with Kjell Caminha and Saranda Azemi; editorial coordination and production. Publication from HDK-Valand's BFA programme in Fine Art, in collaboration with Vänersborgs konsthall.
2022 – Drone Vision: Warfare, Surveillance, Protest. Contribution to publication. Ed. Sarah Tuck, Art and Theory Publishing
2018 – Making Faces: Art and Intersectionality in Iraqi Kurdistan, Journal of Intersectionality, vol. 2, no. 2, Pluto Journals. DOI: 10.13169/jinte.2.2.0003
2022 – What if Life Were Black and White: An Interview with Behjat Omer Abdulla, Journal of Intersectionality, vol. 6, no. 1, Pluto Journals. Photo essay and interview on What If Life Is Black and White and From a Distance. DOI: 10.13169/jinte.6.1.0004
2016 – Can You Dig It?, Valand Academy, University of Gothenburg.

SELECTED TALKS AND JURIES

2025 – Artist talk, På avstånd, Halmstads konsthall
2022 – Juror, Höstsalongen, Värmlands Konstförening
2021 – Visiting artist and artist talk, Staffordshire University, UK
2019 – Artist talk, Art, Activism and Politics, with Hammarkullen Konsthall and Blå Stället, Gothenburg
2018 – Artist talk, Contemporary Art and Politics, with Göteborgs Konsthall and Gothenburg City Library
2015 – Artist talk, Spaces Between: Practice, Research, Pedagogy, Goldsmiths, University of London
2013 – Media trainer, Wiki Week: Say It Loud (2nd edition), Rennes, France
2012 – Artist talk, Newcastle University; talk and drawing workshop, Staffordshire University
2010 – Talk and drawing workshop, Staffordshire University

SELECTED PRESS AND WRITING ON THE WORK
2025 – “Skildrar flykten över Medelhavet – nu visas Behjats konst i Halmstad”, SVT Nyheter Halland
2019 – “Dear Christoph Büchel, this is how you provide context”, The Art Newspaper (on Sink Without Trace)
2017 – “Bearing witness” (From a Distance), openDemocracy

LANGUAGES

Languages: Kurdish (Sorani), native; English, professional proficiency; Farsi, working proficiency; Arabic, good knowledge.

MEMBERSHIPS

River of Light, member organisation of the Anna Lindh Foundation network



ALL TEXT AND IMAGES © BEHJAT OMER Abdulla, REPRODUCTION BY PERMISSION ONLY. ​​​